Director of the Nissan Institute of Japanese Studies, Associate Professor in Modern Japanese History
I am a cultural and intellectual historian in the Faculty of History and the Oxford School of Global and Area Studies at Oxford. Upon completing Year 10 in secondary school, I had a number of very different professions, including work as a mountain guide in the Fjordlands of New Zealand. Later, I helped start-up businesses in the first years of the new Russian Federation, during which time I also helped establish new continuing education programs, incorporating Japanese studies, for adults. My various living experiences as a youth, including a long period as a homeless person, led me to the habit of thinking a lot and listening to sound and silence as a teenager. I continue to do the same today, only now I do it as a profession. I did most of my undergraduate work in Russia and completed my B.A. as a cadet at a U.S. military school. I studied philosophy and international affairs at Georgetown, and then studied theology and history at the University of Chicago, where I earned my Ph.D. in History. I was a postdoctoral fellow at Harvard. I now serve in a number of functions outside Oxford, most recently as an Advisory Board Member of the Esperantic Studies Foundation, an External Faculty and Advisory Board Member, University of Chicago Stevanovich Institute on the Formation of Knowledge, and an International Advisory Board Member for Anarchist Studies Series, University of Manchester Press.
My current research interests include epistemology, aesthetics, the transnational history of emotions, the history of anarchist natural science (geography, embryology, and entomology in particular) and anarchist ethnography, and the transnational intellectual history of non-imperial encounters in the nineteenth and twentieth centuries. I have a particular interest in the place of language (including nonverbal language) in the history of human knowledge production.
My publications have covered a broad range of themes, but they are on the whole a cohesive attempt to challenge some of the most established ideas of history writing on the modern Nonwest. They offer new concepts, theory, and methods for doing modern intellectual and transnational history of Japan. They include:
“Symbiogenesis: The Art of Bayanihan Architecture” (For the Philippine Pavilion, Venice Biennale of Architecture, 2021)
Japan’s Russia, edited with Olga Solovieva (2021)
“Introduction: Japan’s Russia as Method and History” in Japan’s Russia (2021)
“’Fear and Trembling’” in Japan’s Russia (2021)
"Provincialising the State: Symbiotic Nature and Survival Politics in Post-World War Zero Japan", Chapter 1 of New Worlds From Below, edited by Tessa Morris-Suzuki (Australia National University Press, 2017), pp.15-36.
"The Science of Symbiosis and Linguistic Democracy in Early Twentieth-Century Japan," Interdisciplinary Description of Complex Systems, volume 13, number 2, 2015.
"The Emergence of an International Humanitarian Organization in Japan" American Historical Review, 2014.
Anarchist Modernity: Cooperatism and Japanese-Russian Intellectual Relations in Modern Japan. Harvard University Press, 2013.
"Translingual World Order: Language Without Culture in Post-Russo-Japanese War Japan." Journal of Asian Studies, Feb. 2013.
"Ordinary Farmers, Competing Time: Arishima Cooperative Farm in Hokkaido, 1922-1935." Modern Asian Studies, 2012 (e-version); 2013 (print version).
"Reopening the 'Opening of Japan': A Russian-Japanese Revolutionary Encounter." The American Historical Review, 2007.
"The People at Rest: The Anarchist Origins of Ogawa Usen's 'Nihonga,'" World Art, 2011.
"The Absence of Portsmouth in an Early Twentieth-Century Japanese Imagination of Peace." In The Treaties of Portsmouth and its Legacies. Eds. S. Ericson and A. Hockley. Dartmouth College Press and University Press of New England, 2008.
"Conversion Beyond Western Modernity: Tolstoian Religion in Late Meiji Japan." In Converting Cultures: Religion, Ideology, and Transformations of Modernity. Eds. D. Washburn and K. Reinhart. Brill, 2007.